Kpop Demon Hunters is a magical, vibrant, and gut punching animated film with catchy, thought provoking songs, beloved pop stars, and a lot of character growth.

As quirky and charming as Dandadan is on the surface, full of bright color, relatable young protagonists navigating first love and their growing bodies, wacky alien creatures and exciting fight sequences, Dandadan has a brilliant knack for knocking its viewers off their feet with unjarring and upsetting backstories.

All of Us Are Dead is a compelling and emotionally charged TV series about a zombie outbreak at a high school in South Korea. The zombies cause chaos, but the true horrors, as always, are the many ways society fails these kids. Ghouls discuss the parts they love of the show, what they hope to see in a season 2, and how this show differs from other zombie media. No one is coming to save us, so we must protect each other.

8 Years Later is a wild, emotional ride exploring the complications of growing up in the midst of an apocalypse. Garland and Boyle return to the series, offering a vibrant and creative story where even amongst decades of death, the loss of a loved one still hits hard. Ghouls are joined by fellow podcaster, Erick Barragan of Cinepamina to discuss the highs, lows and very many choices made in this film.

Common People is a particularly heartbreaking episode as it feels so much like our lives now. A sharp criticism of our healthcare system, subscription services, and capitalism.

Companion is a seamlessly hilarious sci-fi romantic comedy that freshly examines power dynamics in artificial intelligence relationships.

Severance has given us one of the most nuanced examinations of identity, consciousness, and labor rights in recent television. The Ghouls dissect Severance Season 2's brilliant dual commentary: the fight for innie personhood alongside corporate America's modern "Sunken Place" for Black professionals.

Is Nosferatu a cautionary tale about repression, or an empowering story of feminine defiance?

Lisa Frankenstein is a darkly comedic, neon-soaked horror film that is a delightful mashup of camp, gore, and heart.

The Substance is a satirical body horror film that critiques society’s obsession with youth and beauty.